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M

Macerate

To steep or soak aromatic plant material in a liquid (usually water or a plain vegetable oil) to create a plant extract containing the water or oil soluble constituents. The macerate will usually differ chemically from an essential or expressed oil made from the same plant material due to this. It is possible to create a macerate from plants that do not usually yield an essential oils by distillation. Examples are Meadowsweet and Comfrey. Macerates are also known as Infused or herbal oils.

Massoia bark

Massoia bark cryptocaryo massoio – prohibited (should not be used in fragrance)


Middle Note

(same as heart note)notes which normally classify or identify the perfume family or theme of the composition; for instance, if your theme is a white floral, then you would blend some combination of jasmine, neroli, tuberose, gardenia tinctures and other ‘white’ flower oils as the main component of this note


Mossy

typified by oak moss, tree mosses and forest floor essences


N

Narcotic

intense and intoxicating essences such as rose, jasmine, hyacinth and other rich florals


Note/Notes

refers to the melody within the composition, the song of the perfume, the theme, or to a particular part of a perfume or aromatic used within the composition ('galbanum is a note in this perfume'), or it refers to how the composition is perceived, i.e. ‘floral notes’, ‘woody notes’, ‘green notes’


O

Odor Description

According to Steffen Arctander in Perfume and Flavor Materials of Natural origin: " Part of the "romance" or "thrill" in perfumery work lies in the fact that, not only are all the materials different in odor but hardly ever will two perfumers give identical descriptions of the same material or the same perfume"


Olfactory

relating to the sense of smell


Opoponax

opoponax resin in a wooden bowl

Commiphora erythraea
Also known as: Sweet Myrrh


Description:
Opoponax is an aromatic gum resin derived from the Commiphora erythraea tree, native to parts of East Africa and the Middle East. Deeply resinous, rich, and sweet, it exudes a warm, animalic, and slightly smoky scent profile. The resin is reddish-brown and sticky, with strong fixative properties, making it a staple in oriental, balsamic, and mossy-woody perfume accords.


Forms of Use in Natural Perfumery:

  • Opoponax Resinoid:
    Extracted via solvent methods; used as a fixative to deepen and anchor blends.
    Aroma: Intense, balsamic, animalic, sweet-resinous.

  • Opoponax Essential Oil:
    Steam-distilled; a more accessible form for perfumers without the equipment to prepare resinoid.
    Note: Quality can vary; ensure the oil is truly from Commiphora erythraea and not substituted or diluted.


Note Family: Balsamic, Resinous, Woody, Oriental
Texture: Thick, syrupy, sticky, dense
Emotion: Mystical, grounding, sensual, introspective
Analogy: Ancient temple incense, warm animal skin, sunbaked forest floor


Blends Well With:

  • Citrus: Bergamot, Sweet Orange, Lemon

  • Floral: Rose, Jasmine, Ylang-Ylang

  • Spices: Cinnamon, Clove, Cardamom

  • Woods: Sandalwood, Cedarwood, Patchouli

  • Resins: Frankincense, Myrrh, Benzoin

  • Herbal: Lavender, Sage, Thyme

These combinations yield deep, sensual fragrances with a warm, smoky, and meditative core.


Extraction Method:

  • Solvent extraction (resinoid)

  • Steam distillation (essential oil)


Unique Characteristics:

  • Often confused with Myrrh, but opoponax is sweeter, smokier, and more animalic, whereas myrrh leans fresher and sharper

  • Used sparingly due to its potent, dominating character

  • Revered in both perfumery and ritual incense traditions


Organ

system of storing bottles of perfume making materials typified by stepped shelving



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